Q: You recently got in the headlines for speaking about the nihilism in rap. And furthering that topic, Lil Wayne just topped Elvis Presley’s record on the Hot 100 Billboard charts. I saw a headline that said a “foul-mouthed” rapper with violent lyrics beats Elvis? Is there a way out of this phase for mainstream rap?
Society as a whoe is innately nihilistic. American society is very, very crass and non-compassionate. Just as a construct. But the ideals and the nature of it comes from a very individualistic, get-mine-before-you-get-yours kind of thing and if you get yours before I get mine, I’m going to take yours. That’s something you can’t… it’s almost like well, what did you expect? If you look at the moral trajectory of different artists in different time periods, you can see certain people had a certain mass presence. Top 10 records… you can see that Lil’ Wayne is America at this point in its totality. He’s murderous, carefree, laissez-faire, erotic, overly sexual, but very rough around the edges. Obsessed with money…. There’s a certain truth, a certain artistic and philosophical truth to that. I don’t really… not that I don’t care…. but I expected that. I don’t find that jarring. It’s good to see a Black man beat Elvis [laughs].
But with that too, Elvis sung gospel records. He was a beautiful brother in that sense. A brother who dedicated a large portion of career to singing praises of Jesus, morality and things of that nature. Lil Wayne is a force of positivity for some people, even if they just latch onto the verse he did for that Damien Marley and Nas album about the generation and the future of this nation, the future of this world, and how they rest at the feet of his son.
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Society as a whoe is innately nihilistic. American society is very, very crass and non-compassionate. Just as a construct. But the ideals and the nature of it comes from a very individualistic, get-mine-before-you-get-yours kind of thing and if you get yours before I get mine, I’m going to take yours. That’s something you can’t… it’s almost like well, what did you expect? If you look at the moral trajectory of different artists in different time periods, you can see certain people had a certain mass presence. Top 10 records… you can see that Lil’ Wayne is America at this point in its totality. He’s murderous, carefree, laissez-faire, erotic, overly sexual, but very rough around the edges. Obsessed with money…. There’s a certain truth, a certain artistic and philosophical truth to that. I don’t really… not that I don’t care…. but I expected that. I don’t find that jarring. It’s good to see a Black man beat Elvis [laughs].
But with that too, Elvis sung gospel records. He was a beautiful brother in that sense. A brother who dedicated a large portion of career to singing praises of Jesus, morality and things of that nature. Lil Wayne is a force of positivity for some people, even if they just latch onto the verse he did for that Damien Marley and Nas album about the generation and the future of this nation, the future of this world, and how they rest at the feet of his son.
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