Orlando Patterson(historical and cultural sociologist) Disses Lil Wayne according to the FEBRUARY 9, 2015 Issue of The New Yorker Magazine.
The Matter of Black Lives - The New Yorker
The Matter of Black Lives - The New Yorker
One difference between the current era and Moynihan’s, or Du Bois’s, is that contemporary sociologists have a new potential culprit to blame for the disorder they see: hip-hop. The anthology includes a careful history of the genre by Wayne Marshall, an ethnomusicologist, who emphasizes its mutability. But Patterson, brave as ever, can’t resist wading into this culture war. In one exuberant passage, he compares MC Hammer to Nietzsche, uses an obscure remix verse to contend that hip-hop routinely celebrates “forced abortions,” and pronounces Lil Wayne “irredeemably vulgar” and “all too typical” of the genre’s devolution. And yet he is a conscientious enough social scientist to concede that there doesn’t seem to be decisive evidence for a “causal link” between violent lyrics and violent behavior. Writing in 1999, Anderson mentioned hip-hop only in passing, suggesting that it supported, and was supported by, “an ideology of alienation.” (He was nearly as critical of “popular love songs” and “television soap operas,” which he judged to nourish girls’ dreams of storybook romance. “When a girl is approached by a boy,” he wrote, “her faith in the dream clouds her view of the situation.”) Now hip-hop has achieved cultural hegemony, but Patterson doesn’t seem to have noticed that the genre has become markedly less pugnacious in recent years, thanks to non-thuggish stars like Drake, Nicki Minaj, Macklemore, Kendrick Lamar, and Iggy Azalea. The next wave of culturalist analyses will surely be able to explain how this music, too, is part of the problem.
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