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No Ceilings came out a year after his worst mixtape. Of course it's going to be overrated. Not to mention that everybody was falling back in love with Wayne for a brief moment during his America's Most Wanted Tour in '09. He recaptured that Vintage Cash Money Vet energy they missed. Then he made Rebirth. Which is his 808's as far as how experimental you could consider it as. However, it probably wasn't as good. You get my point here. No Ceilings being considered "slightly above average" to casual listeners and unbias critics alike (What I'd purport the general consensus to consist of, anyhow.) because of chronological conditions coincidentally existing in alignment with the time period of release.
No Ceilings receives the exaltation it does because it came a year after his worst mixtape. Plain and simple. Let's not forget that America's Most Wanted Tour in 2009 with him miraculously recapturing that Vintage Cash Money Vet Prodigious Energy. That uncanny vicious execution with that unbridled passion to etch in stone the validity of his already cemented legacy. It's enmity against enemies over scrupulousness to one's adherence to divinity in this industry. I'll fuck all your moms and call it Oedipal Polygamy. I know you reveled legibility, so here's a reference point for formidably fresh calligraphy and credibility. My nigga Wayne was just efficiently prodigious with the lyrical myriad on S4TW2 as he was on No Ceilings. There you go. I don't feel like one mixtape is better than the other. At all. And I honestly feel like that should just be general consensus (Whether that would consist of his casual listening demographic or not, I wouldn't know for sure.) as well. Drop all the aphoristic mendicancy. That mixtape so damn overrated, mah nigga, you gotta have a listening conference or something on the front page of this blog to truly emphasize just how comparable they are to each other/one another.
No Ceilings came out a year after his worst mixtape. Of course it's going to be overrated. Not to mention that everybody was falling back in love with Wayne for a brief moment during his America's Most Wanted Tour in '09. He recaptured that Vintage Cash Money Vet energy they missed. Then he made Rebirth. Which is his 808's as far as how experimental you could consider it as. However, it probably wasn't as good. You get my point here. No Ceilings being considered "slightly above average" to casual listeners and unbias critics alike (What I'd purport the general consensus to consist of, anyhow.) because of chronological conditions coincidentally existing in alignment with the time period of release.
No Ceilings receives the exaltation it does because it came a year after his worst mixtape. Plain and simple. Let's not forget that America's Most Wanted Tour in 2009 with him miraculously recapturing that Vintage Cash Money Vet Prodigious Energy. That uncanny vicious execution with that unbridled passion to etch in stone the validity of his already cemented legacy. It's enmity against enemies over scrupulousness to one's adherence to divinity in this industry. I'll fuck all your moms and call it Oedipal Polygamy. I know you reveled legibility, so here's a reference point for formidably fresh calligraphy and credibility. My nigga Wayne was just efficiently prodigious with the lyrical myriad on S4TW2 as he was on No Ceilings. There you go. I don't feel like one mixtape is better than the other. At all. And I honestly feel like that should just be general consensus (Whether that would consist of his casual listening demographic or not, I wouldn't know for sure.) as well. Drop all the aphoristic mendicancy. That mixtape so damn overrated, mah nigga, you gotta have a listening conference or something on the front page of this blog to truly emphasize just how comparable they are to each other/one another.
[QUOTE=2006WayneForever;1406704]No Ceilings came out a year after his worst mixtape. Of course it's going to be overrated. Not to mention that everybody was falling back in love with Wayne for a brief moment during his America's Most Wanted Tour in '09. He recaptured that Vintage Cash Money Vet energy they missed. Then he made Rebirth. Which is his 808's as far as how experimental you could consider it as. However, it probably wasn't as good. You get my point here. No Ceilings being considered "slightly above average" to casual listeners and unbias critics alike (What I'd purport the general consensus to consist of, anyhow.) because of chronological conditions coincidentally existing in alignment with the time period of release.
No Ceilings receives the exaltation it does because it came a year after his worst mixtape. Plain and simple. Let's not forget that America's Most Wanted Tour in 2009 with him miraculously recapturing that Vintage Cash Money Vet Prodigious Energy. That uncanny vicious execution with that unbridled passion to etch in stone the validity of his already cemented legacy. It's enmity against enemies over scrupulousness to one's adherence to divinity in this industry. I'll fuck all your moms and call it Oedipal Polygamy. I know you reveled legibility, so here's a reference point for formidably fresh calligraphy and credibility. My nigga Wayne was just efficiently prodigious with the lyrical myriad on S4TW2 as he was on No Ceilings. There you go. I don't feel like one mixtape is better than the other. At all. And I honestly feel like that should just be general consensus (Whether that would consist of his casual listening demographic or not, I wouldn't know for sure.) as well. Drop all the aphoristic mendicancy. That mixtape so damn overrated, mah nigga, you gotta have a listening conference or something on the front page of this blog to truly emphasize just how comparable they are to each other/one another.[/Q
how many hours and dictionaries did it take for your to put this together
No Ceilings came out a year after his worst mixtape. Of course it's going to be overrated. Not to mention that everybody was falling back in love with Wayne for a brief moment during his America's Most Wanted Tour in '09. He recaptured that Vintage Cash Money Vet energy they missed. Then he made Rebirth. Which is his 808's as far as how experimental you could consider it as. However, it probably wasn't as good. You get my point here. No Ceilings being considered "slightly above average" to casual listeners and unbias critics alike (What I'd purport the general consensus to consist of, anyhow.) because of chronological conditions coincidentally existing in alignment with the time period of release.
No Ceilings receives the exaltation it does because it came a year after his worst mixtape. Plain and simple. Let's not forget that America's Most Wanted Tour in 2009 with him miraculously recapturing that Vintage Cash Money Vet Prodigious Energy. That uncanny vicious execution with that unbridled passion to etch in stone the validity of his already cemented legacy. It's enmity against enemies over scrupulousness to one's adherence to divinity in this industry. I'll fuck all your moms and call it Oedipal Polygamy. I know you reveled legibility, so here's a reference point for formidably fresh calligraphy and credibility. My nigga Wayne was just efficiently prodigious with the lyrical myriad on S4TW2 as he was on No Ceilings. There you go. I don't feel like one mixtape is better than the other. At all. And I honestly feel like that should just be general consensus (Whether that would consist of his casual listening demographic or not, I wouldn't know for sure.) as well. Drop all the aphoristic mendicancy. That mixtape so damn overrated, mah nigga, you gotta have a listening conference or something on the front page of this blog to truly emphasize just how comparable they are to each other/one another.[/Q
how many hours and dictionaries did it take for your to put this together
That's absurd. No Ceilings receives that praise it does because its classic "Mixtape Weezy." He goes on every hot song of the time and makes the beats way better than the originals.
He does not "Go In" on every fucking track. Sweet Jesus, people. Drop the shenanigans. It's a good mixtape. But it is not classic or game-changing like Da Drought 3 and Dedication 2. It just isn't. And a classic doesn't have to be game-changing. But this isn't a classic. An example of a classic that isn't game-changing is "The Suffix". That's how you consistently go in, track-for-track and bar-for-bar.
He does not "Go In" on every fucking track. Sweet Jesus, people. Drop the shenanigans. It's a good mixtape. But it is not classic or game-changing like Da Drought 3 and Dedication 2. It just isn't. And a classic doesn't have to be game-changing. But this isn't a classic. An example of a classic that isn't game-changing is "The Suffix". That's how you consistently go in, track-for-track and bar-for-bar.
No ceilings is dope cause he rapped for 5 minutes straight in about 8-9 of the songs.<-rough estimate lol. Now sftw2 is more consistent throughout. ONLY song I skip is DIL. SFTW2 is a classic because it's the beginning of a new era. Its like watching the Phoenix rise from the ashes.
C3 sessions is kind of out and about but since they were released via leaks and 'unoffcial' mixtapes i jusr collect them as a whole and consider all the sessions one mixtape.
im suprised you like D3 over sftw i have the solo d3 and i enjoy it but its such a mess i feel it has no direction and that kind of annoys me haha
I think for people that love the autotune weezy, D3 is higher on their rankings because at that time not many rappers could make autotune sound so good, you know what I mean? its not necessarily the content and crap, its probably more the style. because after that i feel like the rap game just started over using the autotune. He kind of made it sound great on there
Except it does. And no mixtape with 6 songs I can do without is trumping one that has like 2. Watch My Shoes is very strong. Bam. We gon' keep mentioning that though? Niggas act like Wayne literally made a mixtape with a bunch of songs the same caliber as Throw It In The Bag Remix when it wasn't that consistent at all. 365 24/7 9,999,999 fucking seconds in a goddamn year, I don't give a shit. It's not that good. Not. That. Good. Great Mixtape. Not his absolute best. Mid-level. Like S4TW2. 8 out of fucking 10. Bam. And that's being nice. Mid-fucking-level. Like a nigga shinin' my damn shoes. Aka your opinion in shinin' my shoes right now.
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