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Complex interviewed juvie, he says weezy getting ripped off out of lots of money
Juvenile Talks Leaving Cash Money, How Ice Cube Helped Him, and Claims Lil Wayne Got Ripped Off | Complex
“When Wayne was trying to leave Cash Money [in the mid 2000s], same thing. He was trying to find out how did I leave, what did I do, he wanted to see my paperwork. I was like you can see it, but you’re gonna have to pay me for it now because now I know you ain’t with me. You’re own your own because I’m definitely on my own. If you want the paperwork and help from my end, I need to be compensated for it. [He never paid for it].
“Still up to the day, Wayne really got beat out of all his money and took another contract. That’s part I never understood. I was signed to Atlantic and Jay-Z was excited about that because now we was about to get our own money. That’s what I really wanted. I wanted him to leave. All of a sudden he signed back I’m like, ‘Damn, what type of deal he got working?’
“If you notice the Young Money/Cash Money imprint, some of the stuff that need to say Young Money don’t say Young Money. I know Baby and I know Ronald ["Slim" Williams]. They ain’t giving up power of their company. They don’t care how big Wayne gets, they not giving up. If I didn’t getting it, he ain’t getting it.
“[Tha Carter III] album did great. But I don’t think Wayne collected a dime on royalty side. I don’t think he’s gonna be able to because some of the cats he was dealing with wasn’t doing straight business on the producer side. You’re under the impression that the guy you got the beat from was the guy who made the beat. It was situations like that that Wayne got caught in.
“It’s all backfiring on him because you got other cats who made these tracks who stepped in and said, ‘I made that.’ It happened with the Deezle record. It happened with three of his songs off that album. Everything is on a standstill because of that.
“I thought he was scared [that’s why he stayed]. That’s how I took it. I was like, ‘You don’t have to be scared.’ I’m really from the projects. No disrespect to them, but I’m 10 times more street than they are. They would never go to some of the places I’d go, they’d never turn some of the corners I turned because they’re not like that. It’s two different ballgames.
“So I’m like, ‘Don’t let them niggas intimidate you. Don’t let that looking hard shit intimidate you because nigga I’m really with it. If you wanna leave, leave. You’re with me now, not them.’ One thing led to another and he signed back, but I took it as he was scared.”
“Wayne is doing good right now, but if you go off of capital and off of who made the most money, he still ain’t top my numbers yet off one album. He’s still doing good, but he still never topped my numbers. If you go off of who could benefit most at the end of the day, in my book I feel like I’ve lost everything. They won. These niggas ate off the house I built.
“I ain’t mad about it, I’m gonna build me another house. But don’t make it look like I was the bad guy. Don’t make it look like Juve came here and said, ‘Ah man, I’m leaving.’ The situation will always be, ‘Fuck you. Pay me.’”
“Still up to the day, Wayne really got beat out of all his money and took another contract. That’s part I never understood. I was signed to Atlantic and Jay-Z was excited about that because now we was about to get our own money. That’s what I really wanted. I wanted him to leave. All of a sudden he signed back I’m like, ‘Damn, what type of deal he got working?’
“If you notice the Young Money/Cash Money imprint, some of the stuff that need to say Young Money don’t say Young Money. I know Baby and I know Ronald ["Slim" Williams]. They ain’t giving up power of their company. They don’t care how big Wayne gets, they not giving up. If I didn’t getting it, he ain’t getting it.
“[Tha Carter III] album did great. But I don’t think Wayne collected a dime on royalty side. I don’t think he’s gonna be able to because some of the cats he was dealing with wasn’t doing straight business on the producer side. You’re under the impression that the guy you got the beat from was the guy who made the beat. It was situations like that that Wayne got caught in.
“It’s all backfiring on him because you got other cats who made these tracks who stepped in and said, ‘I made that.’ It happened with the Deezle record. It happened with three of his songs off that album. Everything is on a standstill because of that.
“I thought he was scared [that’s why he stayed]. That’s how I took it. I was like, ‘You don’t have to be scared.’ I’m really from the projects. No disrespect to them, but I’m 10 times more street than they are. They would never go to some of the places I’d go, they’d never turn some of the corners I turned because they’re not like that. It’s two different ballgames.
“So I’m like, ‘Don’t let them niggas intimidate you. Don’t let that looking hard shit intimidate you because nigga I’m really with it. If you wanna leave, leave. You’re with me now, not them.’ One thing led to another and he signed back, but I took it as he was scared.”
“Wayne is doing good right now, but if you go off of capital and off of who made the most money, he still ain’t top my numbers yet off one album. He’s still doing good, but he still never topped my numbers. If you go off of who could benefit most at the end of the day, in my book I feel like I’ve lost everything. They won. These niggas ate off the house I built.
“I ain’t mad about it, I’m gonna build me another house. But don’t make it look like I was the bad guy. Don’t make it look like Juve came here and said, ‘Ah man, I’m leaving.’ The situation will always be, ‘Fuck you. Pay me.’”
. Well damn...
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