Sorry 4 The Wait 2 Official Discussion Thread

[Lucifer]

Lmao you're catching so many feelings. Your hero is hot trash. Young Thug has all my support now. Little girl.

you was just praising wayne after his shit freestyle last week

Preach sound like the decade long-awaited sequel to "A Couple Grand/I'm Da Man"

yep that beat does certainly

[nickiminajsitonmyface]

Most gays would agree...so i get why you feel that way.. u wanna hear dudes u think u have a chance in tapping

I do that with rihanna so its all g

gl with that

Speak English you damn fuck up.

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you was just praising wayne after his shit freestyle last week yep that beat does certainly

I have to listen to California Rari' to clean my brain after listening to a majority of the tracks. Shit definitely goes in, so does HollyWeezy and like 2 other songs.

[Danny M]

Go sleep Danny!!!!

(i'm bumpin it too. 5;48am) lol

Can't sleep mate

[YM Salute]

Young Thug >>> Lil' Wayne.

lol jersey

[Rockstar Wayne]

I'm only on "used to" but I'm feeling it so far.

[2006WayneForever]

Add Admit It to the list of filler tracks on this bitch. Welp. Yeah, it's not that good. But it's definitely far from bad. Still give it a sharp 8 out of 10. Nothing on this shit sounds like it belongs on Da Drought 3, by the way. Stop jizzin' so fast, preemies.

[YM Salute]

The original Alphabet Bitches > Alphabet

Gonna throw that out there. Don't think he really went in on Coco like I expected. Drunk In Love was some of the shittiest shit I ever heard from him. The beat on Preach > The niggas spittin' on it (Which is funny, because it just confirms that most of Zay's shit is just so formulaic, even after all these years.) Trap House overrated. Fingers Hurting wasn't the worst track on here, but not far from it. Dedication 5's best bars rival Sorry 4 The Wait 2's best shit. I'd still rate it about an 8 out of 10. It's pretty much either just as good, or slightly inferior to D5. Neither mixtapes are blemishes to his catalog though. Ay.

HollyWeezy is so dope

[NickYMCMB]

The original Alphabet Bitches > Alphabet

Gonna throw that out there. Don't think he really went in on Coco like I expected. Drunk In Love was some of the shittiest shit I ever heard from him. The beat on Preach > The niggas spittin' on it (Which is funny, because it just confirms that most of Zay's shit is just so formulaic, even after all these years.) Trap House overrated. Fingers Hurting wasn't the worst track on here, but not far from it. Dedication 5's best bars rival Sorry 4 The Wait 2's best shit. I'd still rate it about an 8 out of 10. It's pretty much either just as good, or slightly inferior to D5. Neither mixtapes are blemishes to his catalog though. Ay.

Nothing beats a lot of the original tracks he has done but I liked the track though because of some of the things he said it had that fun sense to it. I enjoyed Drunk In Love a little yeah it wasn't like the best shit ever far from it but still nice though. Trap House was pretty good though don't maybe after a day or two my opinion will change.

For me though HollyWeezy, Dreams and Nightmares and yeah I liked Coco that was good, Hot Nigga was dope (guarantee somewhere out there somebody was Shmoney Dancing to this again) and Selsun Blue (just a slightly different vibe to it) that's my top 5 currently.

[ChrisBLawyer]

Damn...........

[2006WayneForever]

^HollyWeezy probably the freshest sounding track on here. Never heard Wayne spit with that flow. Just laid Thugger and his annoying ass voice with his formulaic, linear flows. Which are just cheap imitations of Vintage Wayne.

[1Broskie]

1. DD3
2. D2
3. NC/SFTW2

this is THAT great. tha authority and hunger in his tones reign supreme.

tha rapper eater has woken up.

y'all thought he was SECOND?!

apology accepted slime.

[ChrisBLawyer]

I like it better than NC. More diverse

Wayne got BETTER. Its not up for discussion

His rhyme skills are MUCH more complex, if you disagree you crazy. I'm sorry. Flow more diverse. Cadence etc all fresh

Havent heard wayne like this since... Drought 3.


and these are FACTS.