On C5, out of 23 songs there is only ONE TRACK that doesn't have a hook: Open Letter. Even if it's only a repeated phrase or part (Open Safe, Dedicate, Hittas... Mona Lisa has like 2.5 hooks in no real order, lol) it's weird that Open Letter is the only track that has a formless freestyle approach.
On C4, right out of the gate you had Intro, Megaman, 6'7, Nightmares from the Bottom ... 4 out of the first 5 tracks were hookless, probably because A Milli had been such a big hit.
Anyway, I thought it was interesting because it sort of further proves my previously stated point: Studio Weezy is possibly superior to "Mixtape Weezy"* in 2018. That's not to say Mixtape Weezy ain't dope, because he still is, but I think he is taken more seriously these days as an artist when he makes proper "songs" (ie. with hook)
I also think it's very telling that the only real freestyle track on the album (Open Letter) is arguably the deepest, most depressing track. New levels of maturity for sure.
What do y'all think? Anyone else notice this?
*I know Mixtape Weezy doesn't necessarily always mean it's on a mixtape; it's the way he's thinking, rhyming, whatever.
On C4, right out of the gate you had Intro, Megaman, 6'7, Nightmares from the Bottom ... 4 out of the first 5 tracks were hookless, probably because A Milli had been such a big hit.
Anyway, I thought it was interesting because it sort of further proves my previously stated point: Studio Weezy is possibly superior to "Mixtape Weezy"* in 2018. That's not to say Mixtape Weezy ain't dope, because he still is, but I think he is taken more seriously these days as an artist when he makes proper "songs" (ie. with hook)
I also think it's very telling that the only real freestyle track on the album (Open Letter) is arguably the deepest, most depressing track. New levels of maturity for sure.
What do y'all think? Anyone else notice this?
*I know Mixtape Weezy doesn't necessarily always mean it's on a mixtape; it's the way he's thinking, rhyming, whatever.
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